Read by Robertson Dean

Read by Coleen Marlo

By Jim Thompson

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Luane Devore’s days are numbered. All her neighbors in the declining seaside resort town of Manduwoc want her dead. Some, like her young husband Ralph and his girlfriend Danny, want the thousands of dollars she keeps hidden under the mattress she spends her days resting on. Others want her to stop her malicious gossip–some of which could ruin lives.

Told from multiple perspectives, The Kill-Off tells the story of a woman not long for this earth–but who will finally take matters into their own hands, and when? THE KILL-OFF was the basis of Maggie Greenwald’s critically acclaimed film of the same name.

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Mulholland Classic

"The best suspense writer going, bar none."
The New York Times
"My favorite crime novelist-often imitated but never duplicated."
Stephen King
"If Raymond Chandler, Dashiell Hammett and Cornell Woolrich would have joined together in some ungodly union and produced a literary offspring, Jim Thompson would be it...His work...casts a dazzling light on the human condition."
Washington Post
"Like Clint Eastwood's pictures it's the stuff for rednecks, truckers, failures, psychopaths and professors ... one of the finest American writers and the most frightening, [Thompson] is on best terms with the devil. Read Jim Thompson and take a tour of hell."
The New Republic
"The master of the American groin-kick novel."
Vanity Fair
"The most hard-boiled of all the American writers of crime fiction."
Chicago Tribune

On Sale: Dec 25, 2011
Publisher: Hachette Audio
ISBN-13: 9781611137361

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Jim Thompson

About the Author

Jim Thompson was born in Anadarko, Oklahoma. He began writing fiction at a very young age, selling his first story to True Detective when he was only fourteen. Thompson eventually wrote twenty-nine novels, all but three of which were published as paperback originals.

Thompson also co-wrote two screenplays (for the Stanley Kubrick films The Killing and Paths of Glory). Several of his novels have been filmed by American and French directors, resulting in classic noir including The Killer Inside Me (1952), After Dark My Sweet (1955), and The Grifters (1963).

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