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Ansel Adams 2021 Wall Calendar

Contributors

By Ansel Adams

Formats and Prices

Price

$19.99

Price

$25.99 CAD

Format

Calendar

Format:

Calendar $19.99 $25.99 CAD

This item is a preorder. Your payment method will be charged immediately, and the product is expected to ship on or around July 28, 2020. This date is subject to change due to shipping delays beyond our control.

Experience the creative vision of iconic artist and environmentalist Ansel Adams via this durable wire-bound wall calendar, featuring generous space for recording monthly schedules.
 
Ansel Adams’ “Authorized Edition” calendars have been a beloved annual tradition for over 35 years. The 2021 wall calendar includes:
  • Fourteen exquisite black and white landscape photographs, carefully selected and sequenced to reflect the changing seasons.
  • Large format 12.8″ x 15.6″ wall calendar (25.6″ x 15.6″ open).
  • Spectacular views from Yosemite National Park, Denali National Park, Mount Rainier National Park, Canyon de Chelly National Monument, White Sands National Park, and more.
  • The perfect inspirational gift for lovers of fine art, photography, National Parks, and the outdoors.
  • Printed in rich duotone on premium paper stock, making each page suitable for framing at year’s end.
  • Features US and Canadian legal holidays, phases of the moon, and major religious holidays.
  • Printed and manufactured in the United States of America. 
The photographs of Ansel Adams are among America’s finest cultural treasures, and form the foundation of his tremendous legacy of environmental activism. One of the most influential artists of the 20th century, today his vision is as relevant and convincing as ever.
 
More than 45 years ago, Ansel Adams selected Little, Brown and Company as the sole authorized publisher of his photography. At the same time, he established The Ansel Adams Publishing Rights Trust in order to ensure the continuity and protection of his legacy—both artistic and environmental. As Adams himself wrote, “Perhaps the most important characteristic of my work is what may be called print quality. It is very important that the reproductions be as good as you can possible get them.” The authorized books, calendars, and posters published by Little, Brown have been rigorously supervised by the Trust to make certain that Adams’ exacting quality standards are maintained. 
 
Only such works published by Little, Brown and Company may be considered authentic representations of the genius of Ansel Adams.
 
For more ways to enjoy the photography of Ansel Adams, look for the Ansel Adams 2021 Engagement Calendar, and Ansel Adams’ Yosemite.

On Sale
Jul 28, 2020
Page Count
24 pages
Publisher
Ansel Adams
ISBN-13
9780316420983

Ansel Adams

About the Author

In a career that spanned six decades, Ansel Adams was at once America’s foremost landscape photographer and one of its most respected environmentalists.

In Ansel Adams at 100, John Szarkowski notes that Adams’s role in the history of photography goes beyond his achievements as one of the great photographers of the twentieth century. As a leader in the study and appreciation of photography as an art, he played a major role in establishing the first department of photography in an art museum, at The Museum of Modern Art, New York (the same department that Szarkowski led from 1962 to 1991). Moreover, as a tireless advocate for improving the reproduction of photographs in books, Adams “badgered and cajoled his printers and platemakers” till they had “achieved in ink an unprecedented degree of fidelity to the chemical print.”

Although he devoted a lifetime to the cause of wilderness preservation, “Adams did not photograph the landscape as a matter of social service, but as a form of private worship. It was his own soul that he was trying to save,” Szarkowski writes, adding that “Ansel Adams’s great work was done under the stimulus of a profound and mystical experience of the natural world.” Szarkowski dates that experience to the early 1920s and a camping trip in the High Sierra. As Adams later recalled, “I was suddenly arrested in the long crunching path up the ridge by an exceedingly pointed awareness of the light…. I saw more clearly than I have ever seen before or since the minute detail of the grasses, the clusters of sand shifting in the wind, the small flotsam of the forest, the motion of the high clouds streaming above the peaks.”

Commenting on this moment of vision, Szarkowski writes, “One might guess that Adams spent the next quarter century trying to make a photograph that would give objective form to the sense of ineffable knowledge that on occasion, in his youth, inhabited him in the high mountains. Yosemite and the Sierra gave him not only his principal subject, but also the experience that provided the basis for a useful artistic idea: ‘The silver light turned every blade of grass and every particle of sand into a luminous metallic splendor.’”

Learn more about this author