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With the epic sweep of Min Jin Lee’s Pachinko or Yaa Gyasi’s Homegoing and the lyrical beauty of Vaddey Ratner’s In the Shadow of the Banyan, The Mountains Sing tells an enveloping, multigenerational tale of the Trần family, set against the backdrop of the Việt Nam War. Trần Diệu Lan, who was born in 1920, was forced to flee her family farm with her six children during the Land Reform as the Communist government rose in the North. Years later in Hà Nội, her young granddaughter, Hương, comes of age as her parents and uncles head off down the Hồ Chí Minh Trail to fight in a conflict that tore apart not just her beloved country, but also her family.
Vivid, gripping, and steeped in the language and traditions of Việt Nam, The Mountains Sing brings to life the human costs of this conflict from the point of view of the Vietnamese people themselves, while showing us the true power of kindness and hope.
The Mountains Sing is celebrated Vietnamese poet Nguyễn Phan Quế Mai’s first novel in English.
New York Times Editors’ Choice Selection
Winner of the 2020 Lannan Literary Awards Fellowship
"[An] absorbing, stirring novel . . . that, in more than one sense, remedies history." —The New York Times Book Review
"Powerful and deeply empathetic. A heartbreaking tale of lost ideals, human devotion, and hard-won redemption. Dust Child establishes Nguyễn Phan Quế Mai as one of our finest observers of the devastating consequences of war, and proves, once more, her ability to captivate readers and lure them into Viet Nam’s rich and poignant history."―Viet Thanh Nguyen, Pulitzer Prize-winning author of The Sympathizer and The Committed
In 1969, sisters Trang and Quỳnh, desperate to help their parents pay off debts, leave their rural village to work at a bar in Sài Gòn. Once in the big city, the young girls are thrown headfirst into a world they were not expecting. They learn how to speak English, how to dress seductively, and how to drink and flirt (and more) with American GIs in return for money. As the war moves closer to the city, the once-innocent Trang gets swept up in an irresistible romance with a handsome and kind American helicopter pilot she meets at the bar.
Decades later, an American veteran, Dan, returns to Việt Nam with his wife, Linda, in search of a way to heal from his PTSD; instead, secrets he thought he had buried surface and threaten his marriage. At the same time, Phong—the adult son of a Black American soldier and a Vietnamese woman—embarks on a mission to find both his parents and a way out of Việt Nam. Abandoned in front of an orphanage, Phong grew up being called “the dust of life,” “Black American imperialist,” and “child of the enemy,” and he dreams of a better life in the United States for himself, his wife Bình, and his children.
Past and present converge as these characters come together to confront decisions made during a time of war—decisions that reverberate throughout one another’s lives and ultimately allow them to find common ground across race, generation, culture, and language. Immersive, moving, and lyrical, Dust Child tells an unforgettable story of how those who inherited tragedy can redefine their destinies with hard-won wisdom, compassion, courage, and joy.
—The Washington Post
“Gripping . . . Johnston’s masterful novel is worth lingering over—it soars above the constraints of a traditional thriller and pulls you deep into the secrets of a grief-stricken town.”
—People
Tim Johnston, whose breakout debut Descent was called “astonishing,” “dazzling,” and “unforgettable” by critics, returns with The Current, a tour de force about the indelible impact of a crime on the lives of innocent people.
Don't miss DISTANT SONS, the new literary thriller from Tim Johnston, available now.
In the dead of winter, outside a small Minnesota town, state troopers pull two young women and their car from the icy Black Root River. One is found downriver, drowned, while the other is found at the scene—half frozen but alive.
What happened was no accident, and news of the crime awakens the community’s memories of another young woman who lost her life in the same river ten years earlier, and whose killer may still live among them.
Determined to find answers, the surviving young woman soon realizes that she’s connected to the earlier unsolved case by more than just a river, and the deeper she plunges into her own investigation, the closer she comes to dangerous truths, and to the violence that simmers just below the surface of her hometown.
Grief, suspicion, the innocent and the guilty—all stir to life in this cold northern town where a young woman can come home, but still not be safe. Brilliantly plotted and unrelentingly propulsive, The Current is a beautifully realized story about the fragility of life, the power of the past, and the need, always, to fight back.
What if?
What if Sean Courtland’s old Chevy truck had broken down somewhere else? What if he’d never met Denise Givens, a waitress at a local tavern, and gotten into a bar fight defending her honor? Or offered a ride to Dan Young, another young man like Sean, burdened by secrets and just drifting through the small Wisconsin town?
Instead, Sean enlists Dan’s help with a construction job in the basement of a local—the elderly, reclusive Marion Devereaux—and gradually the two men come to realize that they’ve washed up in a place haunted by the disappearance of three young boys decades earlier. As Sean and Dan’s friendship deepens, and as Sean gets closer to Denise and her father, they come to the attention of a savvy local detective, Corrine Viegas, who has her own reasons for digging into Dan’s past—and for being unable to resist the pull of the town’s unsolved mystery. And with each chance connection, an irreversible chain of events is set in motion that culminates in shattering violence and the revelation of long-buried truths.
Gripping and immersive, this crime novel by bestselling author Tim Johnston becomes so much more: a book about friendship and love and good hard work—and a masterful read about how the most random intersection of lives can have consequences both devastating and beautiful.
From the internationally bestselling author of In the Time of the Butterflies and How the García Girls Lost Their Accents comes “a stunning work of art that reminds readers Alvarez is, and always has been, in a class of her own.” (Elizabeth Acevedo, National Book Award-winning author of the New York Times bestseller The Poet X)
Don't miss Alvarez’s new novel, The Cemetery of Untold Stories, available now!
Antonia Vega, the immigrant writer at the center of Afterlife, has had the rug pulled out from under her. She has just retired from the college where she taught English when her beloved husband, Sam, suddenly dies. And then more jolts: her bighearted but unstable sister disappears, and Antonia returns home one evening to find a pregnant, undocumented teenager on her doorstep. Antonia has always sought direction in the literature she loves—lines from her favorite authors play in her head like a soundtrack—but now she finds that the world demands more of her than words.
Afterlife is a compact, nimble, and sharply droll novel. Set in this political moment of tribalism and distrust, it asks: What do we owe those in crisis in our families, including—maybe especially—members of our human family? How do we live in a broken world without losing faith in one another or ourselves? And how do we stay true to those glorious souls we have lost?
A Time Magazine Must-Read Book of 2020
A Most-Anticipated Book of the Year: O, The Oprah Magazine * The New York Times * The Washington Post *Vogue * Bustle * BuzzFeed * Ms. magazine * The Millions * Huffington Post * PopSugar * The Lily * Goodreads * Library Journal * LitHub * Electric Literature
If we’re lucky, we all encounter at least one person whose life elevates and inspires our own. For acclaimed novelist Daniel Wallace, he had one hero and inspiration for so much of what followed: his longtime friend and brother-in-law William Nealy. Seemingly perfect, impossibly cool, William was James Dean, Clint Eastwood, and MacGyver all rolled into one, an acclaimed outdoorsman, a famous cartoonist, an accomplished author, a master of all he undertook, William was the ideal that Daniel sought to emulate.
But when William took his own life at age 48, Daniel was left first grieving, and then furious with the man who broke his and his sister’s hearts. That anger led him to commit a grievous act of his own, a betrayal that took him down a dark path into the tortured recesses of William’s past. Eventually, a new picture of William emerged, of a man with too many secrets and too much shame to bear.
This Isn’t Going to End Well is Daniel Wallace’s first foray into nonfiction. Part love story, part true crime, part a desperate search for the self and how little we really can know another, This Isn’t Going to End Well tells an intimate and moving story of what happens when we realize our heroes are human.
“Smith’s latest is as delicious as a slice of key lime pie – and gone just as fast.” ―People
“It’s very different and it’s very special and it’s very good! I loved it.” —Dolly Parton
A driving force in literature, Lee Smith returns with a road trip novel, a story full of hope and humor about not going away quietly—at any age.
Herb’s charmed life with his dear wife Susan in their Key West house is coming undone. Susan, in her 70s, now needs constant care, and Herb is in denial about his own ailing health. The one bright spot is the arrival of an endlessly optimistic manicurist calling herself Renee. She sings to Susan during manicures, gets her to paint, and brings her a much-needed sense of contentment.
Then Herb and Susan’s adult children arrive to stage an intervention with their stubborn, independent father, and as a consequence, Renee’s gig with Susan—and her grand plans for her own life—start to unravel as well. Herb isn’t ready to let go of all that he has ever had, and it turns out that Renee is not the happy, uncomplicated girl she pretends to be. She is not even Renee; she is really Dee Dee, and she, too, has reasons of her own to hit the road. So Herb suggests one last joy ride in his Porsche with her riding shotgun; and they light out for parts north, setting off a Silver Alert.
As the unlikely friendship between Herb and Dee Dee deepens, we see how as one life is closing down, another opens up. This time that Dee Dee has spent with Susan, this time in Key West, and this time in the Porsche with the elderly Herb reveals to Dee Dee how much more truly lies ahead.
In this buoyant novel, the masterful Smith asks: What life do we deserve? And how do we make it our own? Sometimes, you just have to seize the wheel.
Carla is stuck. In her twenties and working for a landscaper, she’s been told she’s on the wrong path by everyone—from her mom, who wants her to work at the hospital, to her boyfriend, who is dropping not-so-subtle hints that she should be doing something that matters.
Then she is hired for a job at the home of Viridian, a lauded and lovely aging poet who introduces Carla to an eccentric circle of writers. At first she is perplexed by their predilection for reciting lines in conversation, the stories of their many liaisons, their endless wine-soaked nights. Soon, though, she becomes enamored with this entire world: with Viridian, whose reputation has been defined by her infamous affair with a male poet, Mathias; with Viridian’s circle; and especially with the power of words, the “ache and hunger that can both be awakened and soothed by a poem,” a hunger that Carla feels sharply. When a fight emerges over a vital cache of poems that Mathias wrote about Viridian, Carla gets drawn in. But how much will she sacrifice for a group that may or may not see her as one of their own?
A delightfully funny look at the art world—sometimes petty, sometimes transactional, sometimes transformative— The Poet’s House is also a refreshingly candid story of finding one’s way, with words as our lantern in the dark.
As grief settles in, Sarah’s mind lingers on her past: her imperfect but devoted fifty-year marriage to Charles; the years they spent raising their three very different children; and her childhood during the Great Depression, when her parents opened their home to countless relatives and neighbors. So, when a variety of wayward souls come seeking shelter in Sarah’s own big, empty home, her past comes full circle. As this unruly flock forms a family of sorts, they—with Sarah—nurture and protect one another, all the while discovering their unsuspected strengths and courage.
In the tradition of Jane Smiley and Sue Miller, Kate Maloy has crafted a wise and gratifying novel about a woman who gracefully accepts a surprising new role just when she though her best years were behind her.